| PRODUCT DETAILS | | Television |  | |
Television
Their 1992 reunion featuring members Tom Verlaine, Richard Lloyd, Fred Smith, and Billy Ficca.
Manufacturer: EMI Europe Generic
Price: $5.24
 Television
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| User Reviews |  | Really terrific
rating: 5
This is really terrific - and I know the old Television too. I have their first album, and the live one, "The Blow-Up", which are both great. This one though, shows the maturity and focus to produce several classic tunes, and I think they're as good as anything they ever did. I mean, for instance, "In World" and "Call Mr. Lee". Lloyd's playing is better than ever, Verlaine's singing is better, not worse as some have said. If you like Television and don't know this one, I'd say get it. If you're still 20 years old, maybe it'll seem stodgy by comparison. But it's great. My only question is - what the f**k is the picture on the cover?
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television
rating: 4
I love this CD, especially 1880 Or So, and Rhyme. I'm glad I bought it.
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Television
rating: 5
By 1992 the legendary status of Television, the seminal band that was culturally, if not musically, linked to New York's C.B.G.B.'s, had surely grown, yet artistic influence be damned, a reunited Television still couldn't crack the Billboard Top 200 with their first album in 14 years. "Television", the group's third studio album, barely announced itself with abstract cover art and eponymous title, nor does the music jump out and take over your head and body the way "Marquee Moon" (1977) does. And, compared to their underrated second album, "Adventure" (1978), this is a more fleet and concise work, eschewing the langourous pace and watery keyboard/guitar textures. But unlike more successful peers such as Ramones, or Blondie, Tom Verlaine, Richard Lloyd, Fred Smith, and Billy Ficca successfully made a Television record for the 1990s that honors, and adds to, their legacy.
At first "Television" feels rather dry, and passes by pleasently enough; yet with familiarity it eventually reveals itself to be both timeless and unassuming, understated and sometimes gorgeous. More than a decade after its release I'm still hearing some new musical detail or emotional nuance whenever I play it.
With the band members in their forties, "Television" shows the New York quartet's 'maturity' which is not a back-handed compliment, for the musical intelligence, clarity of purpose, and self-awareness is evident throughout its ten tracks. Sometimes they seem to be evolving material out of loose jams ("Rhyme"), but the overall impression is of an organic and rigorous musical conception. And the songs, all of them memorable, give us Tom Verlaine in varied narrative personae, frequently exploring eroticism in a witty, appealing manner. The music is mostly made by guitars, bass, and drums (keyboards are less evident than on the Elektra albums), both stark and lush. Tom Verlaine's songs, in which darkness, compassion, and playfulness all co-exist in a world that seems hermetic at first, but prove to be Verlaine at his more accessable and communicative. The album certainly carries considerable emotional weight, yet many of the lyrics refer to literary and pop culture images from Verlaine's youth ("Mars", "The Rocket", "Rhyme"). As stripped down as Nirvana's contemporary "Nevermind" or "In Utero", the sound is typically dryer, less crunchy and inviting, but like Lloyd's superb solo debut "Alchemy" or Verlaine's classic "Dreamtime" the record deserves close attentionj. In my case I decided it was a good, slightly disappointing, record after three or four plays, and left it alone for nearly a decade. When I came back, after digging into Rhino's expanded editions of the two Elektra albums and the wonderful, incendiery "At The Old Waldorf" live album, I was amazed to find just how fresh the production was, and how many melodies and riffs had stuck in my brain without my even knowing it. There was a rush of pleasure, hearing this rich, nuanced album that sounds better than ever, and deserves the status of a minor classic.
The riffs and melody lines are quintessential, if restrained, but do not feel sketchy or underdeveloped; the interlocking friction and lyricism of the guitars, and those exquisite solos - Lloyd's almost mathematical yet stunning and physical in their impact, Verlaine's more improvised yet heady, angular - and interplay are like stars piercing through a clear night - they shimmer and glow. Verlaine and Lloyd, despite their publicized differences, are an amazing team, virtually telepathic, as inventive as ever yet more playful and allusive. They bring out the best in each other, and I only wish they made more records together. Fred Smith's bass is as always supple and, on "Rhyme", entrancing. And Billy Ficca is a master percussionist, adding something fresh to every track. Unless you like "Marquee Moon" but have been put off by the rest of the band's (or Verlaine's) work, this recording is highly recommended. Too bad it, too, hasn't been expanded - with three tracks issued on a French ep in '92, or live material from the hard to find "Live At The Academy" set sold at gigs.
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waaaay underrated
rating: 5
i really don't understand why people don't dig this album... i think this is probably their best album.. marque moon is good, but it's rather obnoxious.. i find myself putting this on quite a bit.. and i wuld say i have pretty damn good taste in punk rock.. i love no wave, swell maps, stooges and this.. i think this album came out at a weird time. but the recordings sound classic. it doesn't sound like it was recorded in the 90's. every song is good.
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Most Consistent
rating: 5
A reunion album is just carrion for the vultures. Suddenly, all the fans turn into old farts, whining about how things aren't as good as they were back in the good old days.
This is Television's most consistent album. "Marquee Moon" has some real duds on it, and "Adventure" had even more.
This album is more mature, and the guitar work is better than it ever was. This is the best of the Television studio albums.
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Television
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