| PRODUCT DETAILS | | Henryk Szeryng Plays Brahms Violin Concerto, Bartok & Ravel (EMI Classic Archive 20) |  | |
Henryk Szeryng Plays Brahms Violin Concerto, Bartok & Ravel (EMI Classic Archive 20)
For many listeners, Henryk Szeryng would be the No. 1 choice for a recording of the Brahms Violin Concerto. His interpretation is technically flawless, emotionally involved, and deeply probing; it makes Jascha Heifetz, for example, sound slightly offhand. In this French-made video from 1962, the Paris Conservatoire is not the best possible orchestra, but it is more than adequate and Paul Paray is an excellent conductor. The Brahms leads off and highlights an unusually generous selection encompassing the full range of Szeryng's art. There are technically demanding works such as Ravel's "Tzigane," the fugue from Bach's unaccompanied Sonata No. 1, and Locatelli's "Harmonic Labyrinth," ethnic explorations such as Bartok's "Romanian Folk Dances" and Brahms's "Hungarian Dance No. 17," and charming novelties such as Debussy's waltz "La Plus que Lente," Suk's "Love Song," and Novacek's "Perpetuum Mobile," with selections by Mozart and Fritz Kreisler added as a bonus. This is a very thorough, well-rounded survey of a great artist's legacy. --Joe McLellan
Manufacturer: EMI Classics
Price Range: $12.97 - $24.98
 Henryk Szeryng Plays Brahms Violin Concerto, Bartok & Ravel (EMI Classic Archive 20)
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| User Reviews |  | Fine Historical Tribute
rating: 5
When we listen to Henryk Szeryng, we are listening to a violinist who was probably the most disciplined and hardest-working of any virtuoso on any instrument. Szeryng was one of the greatest fiddlers of all time. His interpretations may not be the most spontaneous or the most interesting - they often tend to proceed upon a well-marked road map. But his playing truly represents what the program notes for this disc mention, that "he placed remorseless demands upon himself." For him, violin playing was very serious business. Despite the many unflattering rumors out there about his dour personality, he didn't mind being filmed and enjoyed showing audiences another side of the violin.
This disc is a generous compilation, for the mere $12.95 cost of the disc - the Brahms Concerto, plus a number of vignettes. The Concerto (a live performance in France with the legendary Paul Paray at the podium) is everything most of us could hope for. I've heard so many fiddlers play it live over the years, and although I'm partial to (gasp!!!) Nadja Salerno-Sonnenberg, Szeryng's approach is a refreshing change.
To comment on all the other numbers would be gratuitous - needless to say, Szeryng does them magnificently. The much-played LeClair Sonata is imbued with a certain heartwarmth,
as is Suk's rarely-heard "Love Song." Quite spectacular are
the Novacek Perpetuum Mobile and one of the **verrrry** seldom-played Locatelli "Labyrinth" Caprices (which were written long before Paganini wrote his 24). The Ravel "Tzigane," like Grumiaux's recordings of it, suffers a bit for lack of pizazz and abandon, as does Bach's "Fugue" from the G minor Sonata, which is played too slowly (the tempo is 'Allegro' and Szeryng plays it 'Moderato'.) Tasso Janopoulo is the competent pianist for most of the numbers.
But perhaps best of all are the two bonus items, taped in 1975, in color (the rest of the disc is in black and white, taped in the early 1960s). The Mozart-Kreisler "Rondo" in G major is nice - Szeryng does the mini-cadenzas quite nicely,
with elegance. Kreisler's "Recitativo and Scherzo" for solo violin is a brilliant piece of music and Szeryng tosses it off effortlessly.
One of my colleagues said that Szeryng never made a bad recording. I can't vouch for that statement enough times over.
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Great camera work!
rating: 5
Most videos of this type are shot with the camera on everything but the violinist. This Szeryng video, amazingly, has tons of up-close shots of his left hand, bow contact, bow hand, posture, etc. It's a virtual instructional video. No need to mention that Szeryng is a violinist to emulate. This video really helps you get into his playing in a personal way. To hear him on a record or CD, especially his Bach, is almost unreal. Watching the video helps remind you that this man actually existed, struggled, and sweat out every note.
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Excellent DVD
rating: 5
Yet another one of these hit-and-miss EMI "Classical Archive Series" DVD's is on the menu, although this is most certainly a hit, a very palpable hit.
Henryk Szeryng, though not as famous as his other illustrious colleagues, was an excellent violinist in his own right. Despite the fact that he came to fame a little bit later in his career than expected (through Sol Hurok, with Isaac Stern's mediation I believe), his recorded video legacy is quite large. An unabashed performer, Szeryng believed in the video medium, and cameras were welcomed (unlike Kogan, who apparently abhorred the damn things).
Thus, what we have here is a pretty good selection, covering the gamut of the violinist's art, from virtuosic trifles to magnum opuses for the instrument, and much in between.
The Brahms is, as the other reviewers say, quite weak in terms of orchestral support, and it is a shame that a better rendition of this piece was not available for inclusion. The Brahms is also marred by occasionally moronic camera angles, although this is a small gripe in what is still a very good performance.
Generally speaking, the remaining pieces are excellent, especially the Tzigane (played with great verve). The bonus clips are also quite interesting, in that they are in color, and they're also taken at a later point in Seryng's career. It is gratifying to see the great artist in fairly fine form, although his Scherzo Caprice does lack some polish (not to mention the fact that he looks kind of drunk).
This rates as my second favourite DVD of this series, and is a worthy addition to anyone's violin library.
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Slight error: Hungarian Dance 17 is in F# minor
rating: 5
Simply sublime! Mozart Serenade No 7 in D major K250 MvT 4 Rondo Allegro is most exquisite.
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The Art of Szeryng
rating: 5
The quality of the films are slightly above average only. The picture is slightly grainy but they cover the hands quite a lot, and the angle of the camera is good, some from the aerial. Audio-wise, they can amply let you distinguish and enjoy all the intensity and colours of this most beautiful sound of violin.Some minor drawbacks. Szeryng was definitely a top Brahms player and he took very good care of the orchestra. So he had to hold back quite a bit. Furthermore, the recorded sound of the orchestra is not too ideal, and the sound of the oboe which had a number of dialogues with the violin is rather odd. One may not take delight in seeing the camera zoom out to cover the whole orchestra either. Fortunately that is rare. On the other hand, viewers could take consolation to note that the accompanist for the other pieces was the regular one for Thibaud (one of the mentors of Szeryng) before his tragic death. Here Szeryng plays with (in almost every piece and not just his Brahms) even more colour than Heifetz and perhaps with no less colour than Menuhin, and Szeryng does it well within the bound of a great tradition. No wonder Mr Perlman is so jealous while Rubininstein is so impressed by him. There are things in Szeryng that could make even Menuhin or Heifetz blush or even jealous...
This DVD runs 104 minutes, covering one of the greatest violin concerti plus some other great German, French and even some Hungarian violin music, interpreted by one of the greatest violinists of the golden age. Wjile Hilary Hann quite rightly says Szeryng's Bach has everything a violinist would aim for, here we have a much fuller magnitude than just Bach: a whole cross section of the art of the violin by this pre-eminent artist. This DVD should fairly and squarely be called the Art of Szeryng or else the Art of Violin, if those titles do not pre-exist.
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Henryk Szeryng Plays Brahms Violin Concerto, Bartok & Ravel (EMI Classic Archive 20)
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