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The Day of the Locust [Region 2]
Nathanael West's The Day of the Locust is by consensus the great Hollywood novel, a poison-pen letter aimed squarely at the tinsel heart of the movie biz. Only in the 1970s could Hollywood actually hazard a film of this story, and the result is suitably corrosive. William Atherton is the observer Tod, Karen Black the blond starlet Faye, and Donald Sutherland the hulking Homer--but they are easily out-acted by the colorful supporting cast. In particular, Burgess Meredith's exhausted showbizzy salesman and Billy Barty's strutting dwarf are superbly crafted gargoyles in this Hollywood wax museum. Director John Schlesinger piles on the rancid atmosphere and rampant hypocrisy until the movie fairly drowns in its own grotesque vision. Long before the climactic apocalyptic riot, the film has torn itself up. There's no substitute for West's wicked prose, so the adaptation comes across as a literal-minded screech rather than a true bonfire of the vanities. --Robert Horton
Price: $18.49
 The Day of the Locust [Region 2]
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| User Reviews |  | Horror in Hollyweird
rating: 4
[This review is part of my 31 Days of Hallowen series.]
I first saw this movie an aeon ago after reading the book. I don't think I appreciated it so much back then--but I do now. In order to really appreciate the ending, I suggest not reading the book first (if you haven't already.)
One of the reasons I appreciate the film more today is that at the time of the initial viewing, I hadn't seen Karen Black's work as an actor. In hindsight now I can really appreciate what a great actress she is. The horror/suspense movies she participated in during the 70's earned her the position of (at least) Princess of Horror (Betty Davis being the Queen--deserving the title for Whatever Happened to Baby Jane?--not to mention the string of B Horror Flicks she is also remembered for.)
The movie is all about the decadence of Hollywood--and it was pretty damn decadent--much more so than today. People didn't bother to go to rehab in those days & the studios controlled the media (Elsa Maxwell & Hedda Harper were to change all that in the 40's & 50's--and the 60's gave rise to the paparazzi.)
The characters include producers, writers, actors...and all the people who catered to their every need & whim. There's even a group of Mexican toughs who run an illegal chicken fight racket. It looked to me that this particular scene was for real--and it was pretty darn graphic. It did "artistically" fit into the plot--and the movie was made prior to any humane oversight--but I can't defend the nauseating inclusion in the film. It is what it is & I closed my eyes--and deducted a star in response.
Burgess Meredith turns in an outstanding performance as Black's door-to-door salesman/vaudevillian father. This is one of the few times I've actually seen Meredith's full stature in a movie & it came as a surprise to me to see how short he was (and I'm not confusing him with the actor Billy Barty who actually is a midget--and is powerful in this film.) One of the most striking scenes in the movie is Meredith's funeral. The wax like figure in the casket is such a shocking contrast to Meredith's almost maniacal portrayal of the living person. Even in death the character makes a rather frightening statement.
Donald Sutherland plays Homer Simpson (that's right, namesake of The Simpson's dad--and the similarity ends there.) His character is so bottled up & repressed, that it's gotta break out--and it does in an incident of graphic homicide.
The most striking scene for me is the one where Karen Black's aspiring actress character is arguing with her father over something--it really doesn't matter what. The full damaged, schizophrenic nature of her character comes into play: She simultaneously shakes her boobs at her father, cries, screams and laughingly leers. It is a grotesque display of a woman coming apart at the seams--and Karen Black plays it to the hilt.
This film is definitely NOT for the kiddies.
Here's a little tip: Keep your eyes on the gender-bending, professional "child" actor.
I will not give the ending away--I just couldn't be that cruel.
Heh-heh...
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Dark commentary on the Hollywood dream
rating: 4
Brilliant filmisation of a parallel universe resembling pre-WWII Hollywood. There are the desperate - a talentless wanna-be star and her has-been father who never made it in the first place, circled by a collection of losers. There is an ambitious art director who is prepared to sell his soul to a ruthless producer. The desperate behave like animals and the big shots exploit them. It all builds to a stunning climax on opening night. A surprisingly mature and sophisticated Hollywood film.
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Not THAT Homer Simpson
rating: 2
The Day of the Locust recounts the mundane events in the life of an unsuccessful Yale graduate (William Atherton) who attempts to nail his neighbor, a selfish extra starlett (Karen Black). Try as he might and despite her way with men, Faye only wants Tod to be her friend. She then uses him as she parties her way around town. She is horrible to her father (Burgess Meredith), a down and out "miracle drug" salesman, and the gentlehearted Homer Simpson (Donald Sutherland) who takes her in when she has nowhere else to turn. Homer is the only sympathetic character in the whole film and the only reason to see this movie.
Black looks draggish in her Harlow-esque makeup. Why any man would waste their time with her is beyond me. One can't help but feel sorry for the men she tangles with, but not too much because most of them are dispicable too. Aside from the characters, the story moves unbearably slowly with no climax in sight. Even major events seem small and unimportant with such unlikable characters.
Fans of the era might find the film slightly watchable, but the settings and costumes aren't enough to save it. On top of that, the DVD carries no extra features to explain some of the choices that were made.
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Day of the Locust
rating: 5
It magnificently captures the early years of Hollywood. Everything is PERFECT... cast, story, dialog, action, background, and especially, Karen Black in her most sexy role.
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The Day of the Locust
rating: 5
A blistering adaptation of Nathanael West's novel, "Locust" might be the most audaciously cynical movie ever made about Tinseltown. Peopled with deranged healers, petulant dwarves, painted child stars, and washed-up never-weres, Schlesinger's film creates a stark divide between the pampered starlets and studio bosses of La La Land and the impoverished hangers-on and wannabes whose crushed desires fuel their fortunes. Black, Sutherland, and Meredith are mesmerizing in their respective roles, playing fringe types with utmost authenticity. By the time the film's cathartic, apocalyptic finale arrives to resolve all the dramatic and sexual tension, Hollywood has already begun to look more like hell than any place on earth.
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The Day of the Locust [Region 2]
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