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Harlem Renaissance / Fats Waller, Duke Ellington, Count Basie, Nat King Cole

Harlem Renaissance / Fats Waller, Duke Ellington, Count Basie, Nat King Cole

A fabulous look at Harlem and its greatest musicians of the 20s, 30s and 40s: with extraordinary archival, full song performances by Fats Waller (This Joint Is Jumpin', Ain't Misbehaving, Your Feets Too Big), Bill "Bojangles" Robinson (Let's Scuffle), Dorothy Dandridge (Easy Street), Cab Calloway (We The Cats Will Hep You), Mills Brothers (Caravan, Cielito Lindo), Tiny Grimes (Romance Without Finance), Duke Ellington (Cottontail, Satin Doll) , Count Basie (The Start of Something Big, Take Me Back Baby)), Dizzy Gillespie (Salt Peanuts), Sidney Bechet (Nobody Knows The Trouble I've Seen), Nat King Cole (Frim Fram Sauce, I'm A Shy Guy, That's My Girl, Calypso Blues), Louis Armstrong (Swingin' On Nothin') and others. Featuring commentary by distinguished historians and the performers themselves, this program traces the roots of the music of the Harlem Renaissance, its social impact on society and its eventual acceptance in mainstream culture. 2004 Production.
Manufacturer: Kultur Video


Price Range: $10.34 - $19.99


Harlem Renaissance / Fats Waller, Duke Ellington, Count Basie, Nat King Cole
User Reviews
Jazz musicians & Tap dancers
rating: 4

This DVD has a great collection of many old film clips interspersed with limited but informative commentary. I really enjoyed listening and watching the jazz musicians play/sing and the dancers dance. There are two dozen artists/groups that are featured here. I have never seen this video footage elsewhere, so it was really special to see what the music LOOKed like.


Good footage, poor documentary
rating: 3

I bought this DVD for a course I teach on African-American Literature. This is a great DVD if you are interested in showing/discussing the music or performances of the period. However, the "documentary" components of this film are sorely lacking; the commentary provides only the most basic information about the Harlem Renaissance, and there is only about five minutes of commentary throughout the whole documentary. As such, this is mainly just a collection of performance clips, so you will need to do a lot more backgrounding for your students if you wish to explore this aspect of the Harlem Renaissance in depth. Also, don't be fooled by the running time -- the actual "documentary" portion of the film is only about 45 minutes long, and there is an extra 30 minutes of "bonus features" with an additional 11 performances.


Great collection
rating: 4

It is certainly hard to find films in jazz from this time period, so this collection is a very valuable one. The quality of the recordings are incredible considering their age, and the representations of the music/musicians sometimes surprising, even for those who study jazz culture.
Although the commentary may not give you much information beyond an introductory level, being able to see jazz performance is something which simply reading about the period can't compare to. One thing to mention--though this DVD is entitled Harlem Renaissance, it seems like several of these films were produced after renaissance was considered to be over.


An essential for anyone who wants to learn about/enjoy this period of time.
rating: 5

I have seen so many films about the Harlem Renaissance, I was beginning to think that there was no film that both captured and explained the history of the period and also made learning fun for students. As a teacher, I use this DVD with my 12 and 13 year old students. The full versions of songs on the bonus part of the DVD shows the power that visual and audio images can have and had way before MTV. For the price and quality, this is a must have for educators, and a joy for historians and music lovers in general.


music of the Renaissance
rating: 2

While most books and documentaries on the Harlem Renaissance focus on the writers and the painters of the era, this work focuses on the musicians. Most of the musical coverage is of the grainy, black-and-white motion picture productions of the time. This is accurate but may not appeal to modern viewers. Some of the vibrancy that comes through in the materials art just isn't here. Further, the transition from performances to narrative and commentary and back does not flow well. Still, this would be a great work for students taking jazz courses or for fans of classic jazz. Unlike many of the Renaissance's writers and artists, the musicians covered here survived for decades. It's hard for me to even pigeonhole them as Renaissance figures.




Harlem Renaissance / Fats Waller, Duke Ellington, Count Basie, Nat King Cole









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