| PRODUCT DETAILS | | Near Dark |  | |
Near Dark
The word "vampire" is never mentioned in Near Dark, but that doesn't stop this 1987 cult favorite from being one of the best modern-era vampire films. It put then-unknown director Kathryn Bigelow on Hollywood's radar and gave choice roles to Aliens costars favored by Bigelow's ex-husband James Cameron: Lance Henriksen is the leader of a makeshift family of renegade bloodsuckers, nocturnally seeking victims in rural Oklahoma; his immortal gal pal is Aliens and Terminator 2 alumnus Jenette Goldstein; and Bill Paxton is the group's deadliest leather-clad ass kicker. Fellow traveler Jenny Wright lures Okie farm boy Adrian Pasdar into the group with a love bite, and he's soon turning toward vampirism with a combination of frightened revulsion and relentless desire. With Joshua Miller (River's Edge) as the youngest vampire, Near Dark is Bigelow's masterpiece of low-budget ingenuity--a truck-stop thriller that begins well, gets better and better (aided by a fine Tangerine Dream score), and goes out in a blaze of glory. --Jeff Shannon
Manufacturer: Starz / Anchor Bay
Price Range: $4.08 - $9.98
 Near Dark
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| User Reviews |  | Subterranean Homesick Blues
rating: 4
Released in '87, the same year as the fluffy vampire flick, The Lost Boys, Near Dark is an almost flawless transfusion of poetically morbid cinematic blood. It starts off a little slow, but once it gets going...you better pray for daylight.
THE TIMES THEY ARE A CHANGIN'
Ain't modern technology grand? It helped these vampires evolve. I'm guessing some laser treatment from the orthodontist took care of the fangs. Maybe the bat DNA was genetically removed by some scientists. After a couple of milleniums these dark immortals have taken Jesus as their saviour, and subsequently holy water and crucifixes no longer inflict pain. This is the new generation of blood suckers.
JUST LIKE A WOMAN
Yes. this is directed by a woman, Kathryn Bigelow. The female touch in horror is sorely lacking, for whatever reason. We know that the ladies can get crazy violent psycho, why aren't they guiding the horror genre in different directions?
Anyway, her sensitivity and compassion are evident throughout this film, with family themes and a nice sense of erotic symbolism. Oh, and there is a hypnotic dark side justunder the surface.
KNOCKIN' ON HEAVEN'S DOOR
And for the gore lovers, this has a violent plethora of the red stuff. The chaotic bar scene is brutal, funny, and shocking--plus it's reached legendary status. No CGI here, the devastation looks all too real.
I WANT YOU
So bad, please checkout this super-underrated gem of a horror movie. It is different, it might require some patience, but it is well worth the effort. A classic twist on the vampire genre.
HOW DOES IT FEEL?
To be blatantly violated? Here on Amazon I've routinely plagiarized, copied, hacked, stolen, and raped all my friends of any creative thought or artistic merit. EK, you can drop the lawsuit for copyright infringement, your patent is pending.
Story.........4.8
Acting........4.2
Visuals.......4.6
Originality...5.0
Overall.......4.65
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A MUST SEE CLASSIC BY FAR
rating: 5
NEAR DARK
Do you remember when this classic was in theaters when it first came out, I bet most of you really do not. If you do remember you are one of the very few who do because this was in theaters around the same time as the mega popular "The Lost Boys". This like that film is all about a young man who is brought into something he didn't really want, and like that film has to protect his family from the family of vampires that are after them. This how ever though is more of a serious film were as the other was more of a over the top/fun type film. Don't get me wrong I love both of these films and consider both of them classics.
The story is all about a young man who is out drinking one night and comes across a young lady who just happens to be a vampire. I guess it is love at first sight because she does not kill him but turns him and convinces her family to take him in. Of course he has to prove him self and the film is all about that scenario, and time after time he tries but his human side keeps him from doing so. Of course there is a lot more to it then that and a lot of really negative stuff happens between him and them and things get great then. This film really doesn't feel like a vampire movie at all but more like a really good dramatic film that just happens to star a family of vampires. I think that the fact this film didn't do well really killed off this type of film from being made again which is a shame. This film did not really play to the usual rules of a vampire movie, I mean other then the day light thing and the blood sucking not much resembles other films in this genre. I even think that the curing thing that happens in this film is excellent, mainly because this is that type of flick.
Eric Red and director Kathryn Bigelow came up with a brilliant screenplay and created one of the most original films in not only vampire cinema history but in film history all together. Not only did this film have a wonderful people working behind the camera but it also had some great actors. The great Lance Henriksen is marvelous as the head of the vampire family, and his no nonsense take of the character really adds a lot to the film. Bill Paxton is brilliant as the wild crazy member of the vampire family who is all about killing people even if it isn't with his teeth. Adrian Pasdar who is the lead of the film and the unlucky guy who gets turned in the beginning does a really good job in this film and is very believable. Jenny Wright who is the love interest of Adrian and is also the one who turned him also turns in a good believable performance. Jenette Goldstein is the co head of the vampire family along side Lance and gives a wonderful performance, her truck scene is great. Tim Thomerson and Marcie Leeds are excellent as Adrian's father and little sister and really tie this film together. Everyone else in the film also deliver as there really aren't any bad performances in it.
The cast is really well put together and they work together marvelously, take the bar scene for instance. This scene in particular is one of the most fascinating scenes I have ever witnessed, me and my brother watched this again the other night and once again we were hooked. I think any body that has the chance should see this movie, especially if you have never seen it before. This set in particular is amazing as it comes with a great booklet, a wonderful audio commentary and a jam packed second disc with a great documentary and more. For all those who have already seen this should see it again, I know I will.
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Fantastic movie
rating: 5
Near Dark is the ORIGINAL vampire movie -- lots of action, gore, and blood. Lance Henriksen and Bill Paxton out do themselves.
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I got two names for you, Mr. Pig Knuckles!!!
rating: 5
Near Dark is a very intersting horror movie in every sense of the word "interesting", and "horror". It's a vampire-western crossover film, combining the charm of Western movie characters with the violence and midnight adrenaline of vampire horror. Here's the skinny:
-Caleb, a likeable Southern guy falls for Mae, a newcomer to his town. While on a "date", a kiss turns to a bite that turns Caleb into a vampire. Now he's kidnapped by Mae's vampire clan, featuring the sinister leader, played by Lance Henriksen, alongside the hilarious, rough, vulgar-mouthed and pretty much all-around AWESOME Bill Paxton. And I'm not just worshipping his role because I share first names with him, Bill Paxton dominates in this movie.
-Now, one of the "interesting" facets of this movie is the twist. Horror movies are about what happens to people, and while the events in the plot of Near Dark are crucial, the character development is just as vital in this movie as in a comedy or drama movie. You step inside the world of the vampires, learn to love them, or hate them, your pick.
-General Info about the movie:
VIOLENCE AND TERROR: Well, there's no shortage of action in this movie. Just look at the whopping eight and a half minute roadhouse scene to get what I mean. As far as vampire horror goes, there isn't any, real horror to speak of, it's more like an exploitation sorta thing going on as opposed to something chasing you in the desert.
LANGUAGE: Oh man, is this where Bill Paxton comes in. I think there's a good 55 profanities dropped in this film. And it's often used towards the comedic side of everything. As far as comedy goes for slitting a guy's throat with your spurs (yes, the roadhouse scene)
SEX 'N' NUDITY: No nudity or sex to speak of, although those scenes where Caleb's drinking Mae's blood for food will make you go "Hubba hubba!", as they are presented rather erotically, shall I say.
THE BOTTOM LINE:
"Near Dark" possesses a very strange atmosphere to it. There's a very surreal tone to the whole movie, and it's a lot more mystical than you'd expect from what sounds like a Dracula-John Wayne crossover, even though that's technically not what the film is. The ambient music from German band Tangerine Dream only adds to the dreamlike mood. The way the movie's presented in all its surreal glory, makes you feel like you're missing something, even if you've seen the movie several times.
Fortunately, the movie's ending satisfies, and though I won't give it away, made me feel good. Also, there's a bonus disc full of extra features, that offers even more bang for your buck.
Well, if you want a surreal, violent and fast-paced horror movie with odd, "interesting" characters that brings something new to the horror table, check this item off the menu. It's a horror movie that offers a main course you'll want to feast off for quite some time! Thanks for the time, and peace.
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Boy, what a dissapointment!
rating: 1
I liked Lost boys and I am a big fan of vampire stuff, books and movies. I really was looking forward to this but what a dissapointment. I fail to see why anybody would like this movie!? Somebody called this a horror movie... there is absolutely no horror what so ever.
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Near Dark
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